Related Paintings of unknow artist :. | Scene from the Odyssey:Lestrygonians Preparing to Attack Ulysses's Ships,from a House on the Esquiline Hill,Rome | Cocks 058 | Portrat der Konigin Julia Bonaparte mit ihren Tochtern | Still life floral, all kinds of reality flowers oil painting 272 | Still life floral, all kinds of reality flowers oil painting 59 |
Related Artists:
Grunewald, Matthias
German Northern Renaissance Painter, ca.1470-1528 .the traditional name of a painter whose real name is believed to have been Nithardt or Neithardt. He was active at Isenheim nr. Colmar c.1514 and in Frankfurt c.1526. Gr??newald's principal work, an elaborate altarpiece of many panels painted for the monastery at Isenheim (Isenheimer Altar), is now in the Colmar museum.
Karl Ferdinand Wimar
(also known as Charles Wimar and Carl Wimar) (1828-1862), was a German-American painter who concentrated on Native Americans in the West and the great herds of buffalo. He is known for an early painting of a colonial incident: his The Abduction of Boone's Daughter by the Indians (1855-1856), a depiction of the 1776 capture near Boonesborough, Kentucky of Jemima Boone and two other girls by a Cherokee-Shawnee raiding party.
DYCK, Sir Anthony Van
Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;